Phase Harm Synth
MACH I
Phase harm synth. Combine multiple syntesis models in an easy and intuitive way.
Get Mach I
Phase harm synth. Combine multiple syntesis models in an easy and intuitive way.
Get Mach I
At the heart of Mach is unique harmonic oscillator. It’s kind of additive synthesis without the complexity. Instead of controlling tens of harmonics you have separate control over odd and even harmonics and their slope. To make the oscillator more alive, each control have its own ADSR envelope.
Advanced phase manipulation engine that warps and destroys harmonics in ways traditional synthesis can't achieve. Create textures from subtle shimmer to complete obliteration.
While Mach I main focus is the harmnic oscillator, it also includes three versatile filter models: Juno based for lush pads and two Oberheim style filters: multimode SVF for classic analog warmth and SEM for aggressive leads and basses. Each filter has its own dedicated envelope for dynamic modulation. x
Named after Ernst Mach (1838–1916), a pioneering physicist and philosopher who revolutionized our understanding of motion, sound, and perception. Mach is perhaps best known for his work on supersonic phenomena—the Mach number, which describes the speed of sound relative to an object's velocity, is named in his honor.
But Mach's contributions extended far beyond physics. He was a radical empiricist who challenged the foundations of Newtonian mechanics and inspired Einstein's theory of relativity. He believed in stripping away unnecessary abstractions and getting to the pure essence of phenomena—a philosophy that resonates deeply with our approach to sound design.
Much like Mach scrutinized the laws of physics, Mach I scrutinizes the nature of sound itself. His insistence on direct observation and elegant simplicity guides our design philosophy: eliminate the unnecessary, expose the essential. Create tools that don't obscure the relationship between input and sonic output.